BR / ARTE, 2018, 45 minutes
In the beginning, there were eighteen of them: the Minesweepers of Bengasi – family fathers searching with their bare hands for deadly explosive devices among the ruins of Libya‘s second largest city. In private homes, hotels, at the university, and on playgrounds, the insidious booby traps were hidden by IS fanatics, as they were driven out of Bengasi. By the end of the shooting of The Minesweepers of Bengasi, only one of them remains uninjured.